It’s the same transgressive and anti establishment

Prada collection celebrates women illustrators and the heroines theycreated

In 1971, Linda Nochlin penned a landmark essay for ARTnews titled Why Have There Been No Great Female Artists? The provocative piece was a response to a casual remark by noted gallerist Richard Feigen about Designer Louis Vuitton Replica Handbags having difficulty finding “great women artists.”

“It haunted me replica louis vuitton bags from china ,” Nochlin explained in an interview with critic Maura Reilly. “It made me think, because dolabuy , first of 1:1 replica handbags all, it implied that there were no great women artists. Second, because it assumed this was a natural condition.”

The pioneering scholar of feminist art history and criticism died on Oct. 29, but not before Prada’s Spring 2018 collection offered a response to her original question cheap replica handbags (coincidentally, Nochlin’s query also showed up on a T shirt in Christian Dior’s collection). Prada’s mixed media garments encrusted with buttons or pyramid studs feature the artwork of eight women replica louis vuitton bags from china cartoonists. Initially, I dismissed it as just another season of opportunistic go girl branding, but it’s much more than that. As a fan of the comics medium, designer Miuccia Prada’s choices are eclectic and once remixed and re contextualized with one another into textiles, offer a fresh take on storytelling and complex female identities.

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One key element of the Prada collection, for example, is a sketch of American political activist Angela Davis and the phrase “Sister: You Are Welcome in This House,” by underground cartoonist Trina Robbins, now an influential comics historian and advocate for women’s contributions to the field. In her new memoir Last Girl Standing, Robbins writes about how she came to replica louis vuitton bags draw the 1970 portrait: “The romantic notion was that Angela Davis, on the lam from the law, would be walking past your house aaa replica designer handbags , coat collar turned up against the fog; she’d see your poster and knock on your door.”

On the phone from her home in San Francisco, Robbins explains that the now iconic art ran on the back cover of the first replica louis vuitton all women comic It Ain’t Me, Babe. “She Discount Replica Louis Vuitton Bags was almost, for me, like a comic book heroine a beautiful African American woman who was wanted by the FBI,” she says.

The cover of Miss Fury No. 6. June Tarp Mills). Mills is another of Prada’s featured female artists and she created Miss Fury, the first costumed female action hero created by a woman. Launched in an April, 1941 weekly adventure comic, Mills produced it using Fake Louis Vuitton Replica Bags a pseudonym to conceal her gender. The comic features stylish socialite and adventurer Marla Drake and her Nazi hunting alter ego Miss Fury, who preceded both Wonder Woman and Canada’s own superheroine Nelvana of the Northern Lights by several months.

“I’ve always said that she’s like film noir,” Robbins explains of Drake/Fury, who has no innate superpowers. “But she can fight for herself even if the only weapon she is using is a telephone or a high heeled shoe!” Crime fighting in her signature black catsuit, Miss Fury has natural agility and bravery, the latter presumably fuelled by a rage her surname more than suggests.

The cover of Lady Killer No. 1.

Prada also features the work of contemporary Canadian artist Fiona Staples, co creator and illustrator of the epic space opera Saga, and of Italian cartoonist Giuliana Maldini, who, like fake designer bags Robbins, has been challenging the patriarchy since the 1970s. There’s also cartoonist Joelle Jones’s Lady Killer Josie, a cheery Betty Draper type housewife in suburban Florida who finds fulfillment outside the domestic sphere as an assassin for hire. It’s a sort of period Breaking Bad black comedy that not coincidentally, takes place on the eve of Betty Friedan’s groundbreaking The Feminine Mystique and subverts the cheerful stereotype of midcentury Americana.

The aesthetics of Prada’s chosen comics informs the collection’s design. The jagged moths and ominous insects of Emma Ros’s mystical western Pretty Deadly feature in intarsia knits. Another runway look of a bustier over a crisp shirt could be taken from a Mills panel and several pieces reflect the swashbuckling Miss Fury’s penchant for leopard and tiger print. Japanese manga ka Natsume Ono or witchy Stellar Leuna’s horned goat witch femme fatale inspire the collection’s slim futuristic cat eye shades, and even the models’ sleek shags aaa replica designer handbags are straight out of Saga and Brigid Elva’s witchy HEX zine.

“I want one of everything,” says Robbins with a laugh. That wish list includes the handbag emblazoned with another of her drawings, from a 1970s Rosie the Riveter comic strip. In the image, there are speed lines around intrepid Rosie’s Victory roll hairstyle as though she’s doing a double take.

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It’s fun to imagine Rosie is reacting to another art driven fashion collection, Louis Vuitton’s “The Masters” collaboration, which features imagery from Jeff Koons “Gazing Ball” series that includes Monet, Manet, Turner, Gauguin and Boucher reproductions on scarves and handbags.

Koons is operating in art’s narrow historic patriarchy, whereas Miuccia Prada is offering an intellectual project as much as a commercial one, one of social and political engagement that uses cloth as the canvas. It’s the same transgressive and anti establishment practice that Nochlin argued should call the mainstream of art history and pop culture history into question. Not all superheroes wear capes. This is a space where subscribers can engage with each other and Globe staff. Non subscribers can read and sort comments but will not be able to engage with them in any way. Readers can also interact with The Globe on Facebook and Twitter.

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